One of them, Alaatin Karaca, with Karar, did not view the production as propagandist. Other conservative writers had more positive takes on the film. Even if the Shiites lose the wars in Iraq and Syria, Pala asserted, they will “unfortunately win the war with cultural wars.” Most dangerously, wrote Kaplan, the aim of the film is to create and legitimize “Muslim iconography” similar to Christian practices, which would lead to “theological-ontological catastrophes like protestantization and paganization of religion.”Īdopting a similar tone, the writer and historian Iskender Pala told the press that the state of Iran had provided funding for the film and positioned the production as part of the current sectarian struggle in Syria and the broader Middle East.
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Kaplan also slammed Majidi’s “Hollywood-like style” that exhibits more Western than Islamic sensibilities and condemned the portrayal of Prophet Muhammad by an actor. Much of the criticism involved accusations of “Shiite propaganda.” Yeni Safak pundit Yusuf Kaplan invited readers to stand up against Majidi’s film, which he called the “last hoop in a corrupting plot.” For him, the aim of the film is to present Shiism as a catalyst of interfaith dialogue and love, while portraying Sunnism as uncompromising and creating terror. Nihal Bengisu of HaberTurk wrote, “I didn’t love it, but I liked it,” and Ozlem Albayrak from Yeni Safak advised, “Let’s not be too cruel.” Islamists have assessed “Muhammad” in terms of the role of religious sensibilities in its content, including scenes of miraculous events, as well as concerns of off-screen sectarianism and politics. Some critics have dismissed the film entirely on the ground that it is cinematic art with “Western roots.” On the other hand, Hayrettin Karaman, a respected religious authority in conservative Islamist circles, approved of the film when he viewed it last year.Īs some Islamist critics seethed with rage, Majidi’s film titillated the fancy of many other conservatives, who praised his efforts. Reviews for the film, which focuses on the childhood of the Islamic prophet, have varied, particularly those by Islamists, for whom portrayals of the prophet in popular media come with high stakes. 28, selling a remarkable 261,376 tickets in its first week.
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“Muhammad: The Messenger of God,” a film by the Iranian director Majid Majidi, opened in Turkish theaters Oct.